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The Blair Witch Project (1999) The Blair Witch Project Blu-ray features mediocre video and audio in this still enjoyable Blu-ray release Three film students travel to the woods of Maryland to investigate an urban legend, and find themselves terrified to the core. The friends - Heather, Josh and Mike - never return from the Black Hills Forest, and one year later their missing footage is found and edited together to tell the story of the amateur filmmakers' terrifying two-day hike.
For more about The Blair Witch Project and the The Blair Witch Project Blu-ray release, see the published by Jeffrey Kauffman on September 3, 2010 where this Blu-ray release scored 3.0 out of 5. Directors:, Writers:, Starring:, ยป. Was there ever a film less likely to benefit from a Blu-ray upgrade than The Blair Witch Project?
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I certainly can't think of one. This film obviously is 'recreating' an amateur attempt at making a documentary, and so we're greeted with a variety of what looks to be at best 16mm footage, all with attendant grain, fuzziness and overall softness, and at times appallingly bad color.
(Several black and white segments are also included in the film). The Blu-ray's AVC encoded 1080p image, in 1.33:1, certainly recreates the original look of the film spectacularly well, but if you've never seen Blair Witch, take a deep breath before getting your expectations too high. This film looks almost exactly like it did on SD-DVD. Colors may indeed be a tad better, but I found the Blu-ray's superior resolution to actually be a detriment to the film's image quality, with an almost pixellated look to a lot of this intentionally lo-fi video. Contrast is negligible, to the point where often far shots of one of the trio simply dissolve into a morass of muddiness, where the human can't be differentiated from the foliage. There's also some fairly egregious telecine wobble during the opening credits and textual elements of the film, as well as shimmer and some noticeable edge enhancement. The Blair Witch Project was frankly always an ugly looking film, something that added to its peculiar charms to a certain segment of the filmgoing public, and this Blu-ray unfortunately can't do much with that less than glamorous source material.
Similarly, there's very little if any 'high def' audio presentation here, despite a lossless DTS-HD Master Audio 2.0 mix. This is a film with the bulk of the audio supposedly coming from the built in microphones on the handheld cameras the trio brings with them on their mystical trek, and so an overly compressed soundfield has been part and parcel of the Blair Witch experience from the beginning.
Dialogue is for the most part very clear, and there are some very inventive sound effects well mixed into the proceedings. In fact I would argue rather vociferously that a good deal of the terror felt by audiences in the film's closing moments is due to the expertly placed shrieks which fill the admittedly narrow soundfield, more than any imagery we see during the denouement. While there's nothing extraordinary here, it's a nuts and bolts soundtrack that sports decent enough fidelity to get the job done, with a few dashes of overt theatricality mixed in for good measure. All of the extras from the previously released SD-DVD have been ported over to this Blu-ray release. If you're a fan of The Blair Witch Project, you'll probably want to pick up this bargain priced Blu-ray no matter what some dunderheaded reviewer might say. If you've never seen the film, you'll probably fall into one of two camps if you choose to check out this newest iteration of it. Either you'll be enthralled and terrified by the mere hint of horror, which really is after all the gist of what this film provides.
Or, like certain curmudgeons, you'll wonder what all the fuss and hype was about.
Synopsis Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind. Three film students travel to Maryland to make a student film about a local urban legend. The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video was found in the woods.
The footage was compiled and made into a movie. The Blair Witch Project. Parental Guide Uploaded By: Downloaded 64,393 times November 01, 2015 at 07:09 AM. Reviewed by blackheart 10 / 10 Sorry we couldn't supply the eye candy most of you are so used to.
I think I know why Blair Witch has generated as much negative as positive responses. It FORCES YOU TO BECOME INVOLVED IN THE MOVIE GOING EXPERIENCE! What a concept. Instead of sitting there like the passive sponges most of us become when going to the movies we are actually expected be become involved. Take a leap of faith/belief or whatever and delve into this movie. Without the overpowering F/X and music score most movies rely on to 'scare' you, if you still have an imagination left what is implied becomes a hundred times scarier than anything offered up by Hollywood in the last 30 years. The hardest thing in movies is to scare you.
Not make you jump out of your seat with 5000 watts of sound blasting at 400 decibels (ever seen the 1999 version of the Haunting? Flv downloader key. Event Horizon? - every potentially tense scene is preceeded by dead silence then the Blast). Wake up people! Blair Witch is the horror movies we have been needing for a long time and I'm glad someone finally had the guts to make it.
Reviewed by Lloyd-23 / 10 Tense, unsettling, original, intelligent, short, cheap. This film is not a feature film. For a start, it is not feature length, also, it is not shot on film. More importantly, it does not have what feature films have these days: star actors, special effects, exotic locations, explosions.
Instead, seeing B.W.P. Is seeing something else that a cinema can be: a place where people can share an intimate experience created by a few people on a tight budget. I would be glad of its success if only for that reason. The first section of the film appears at first to be amateurish and slow. In fact, it is very deft, and very efficient at what it does. It tells the audience everything it needs to know about the characters and situation, and nothing more.
Also, it gets the audience into the habit of viewing the film's format: alternating between black and white (very grainy and poorly focussed) film, and the washed out colours of shaky pixilated video. The film makers managed to set up a rationale for why the film is so cheaply made. Three people hike into the woods for a few days to shoot a documentary, with borrowed equipment, and are in the habit of videoing everything for the hell of it. They cannot carry tripods, steadicams, dollies, large lighting rigs, or the like, so everything we see is lit either by raw daylight, or by a single light fixed to the camera, which illuminates just what is within a few feet of the lens. The film creates its own excuse to be cheap.
This is intelligent. The acting and script are both excellent. The well-cast actors are presumably playing pretty-much themselves, and are convincingly naturalistic, and neither too likeable or too dislikeable. The slow route into hysteria is well documented. Rather than simply having a character say 'We're lost!'
, we see many scenes which show the trio getting more and more hopelessly lost, and more annoyed with each other for this. By the time they are thoroughly lost, the audience shares the despair. My friend and I, after seeing it, both felt a little sick. I put this down to my having been tense for a hour, he put it down more to motion sickness. The jerky, badly-framed camerawork is hard on the eye and stomach, but I applaud the director for its uncompromising use.
Similarly, no compromise is made with the dialogue. Some of it is very quiet and must be listened for, some is technical jargon, which is left realisticly unexplained.
One of the great strengths and weaknesses of the film is the editing. It is good in that it does much to heighten the tension, with many key moments lasting just a little too long for comfort. Each time the characters find something nasty, the viewer is made to want the editor to cut soon to the next scene, and the fact that he doesn't adds to the sense of being trapped, as the characters are. The problem with this, though, is that one is left wondering about the motives of the fictional editor. In truth, of course, the film is edited to create these effects, and to entertain, but the film's rationale is that these are the rushes of a documentary put together posthumously by someone other than the film's original creator.
Why, then, would an editor piecing together such footage, edit for dramatic effect rather than for clarity? Why would he keep cutting back and forth from the video footage to the film footage, when neither shows any more information than the other? The film is stark. After one simple caption at the start, all that follows is the 'rushes'. I wonder if the film might not have been improved with an introductory section which documented how the rushes were found and edited.
A programme was made for television which did this. Perhaps a portion of this might have been added to the film, making it more complete, and more believable (and proper feature length). While I applaud the fact that young original film-makers have managed to create a mainstream hit out of a simple idea, well-handled. I dread the possible avalanche of inferior copies which may come. Most horror films these days are created not for the audience, but for the makers.
The departments of special effects, make-up, model-making, animation and so forth all try hard to show potential future employers what they can do. The result is that nothing is left for the audience to do, since everything can be seen and heard, and the viewer's imagination can be switched off. Today, it is possible to see pigs fly on the screen, and so film-makers show off and show us a formation of Tamworths, which is something which will look impressive in the trailer. To show us less is to make our minds fill in the gaps. This way, we create our own terrors, perfectly fitted to ourselves. The ghastly face I see in my head, is the ghastly head which I find scary.
The ghastly face I am shown may be one I can cope with quite easily. If I see a believable character screaming in hysterical fear at something I cannot see, my own brain creates demons for my night's dreams, demons far more mighty than anything CGI graphics or a latex mask could portray.
This film will stay in your thoughts for some while. Reviewed by Brian A. Cagayat 8 / 10 Generation Xers head into woods; we view excellent results I saw this film last night, LONG after all the hype and reviews were made about it. I settled in with the right mood for any film: no expectations.
If you expect too much, you may be let down (take note for any Kubrick film). I watched the entire film without interruption and came out with a great feeling. Daisy powerline 953.
'The Blair Witch Project' is one darn good movie. Many critics and moviegoers complained about the film for its length, its amateurish photography/editing, and its lack of adequate acting. I feel these things MADE THE MOVIE. First, the film has to be at most ninety minutes long: any more, and it would be too long and boring. Second, the amateur video take gives the audience the feel that they are actually in the woods, listening to the rippling water of the creek, snapping branches under their boots, and hearing things go bump in the night. I greatly admire the use of two video cameras (one black-and-white, the other color) to denote which character is shooting the film. Lastly, the incessant screaming of whiny Heather, the constant complaining of average-joe Mike, and the Dudley-Do-Rightness of Josh make for great acting.
Yes, these are regular people and up-and-coming actors from your local community theater, but YOU KNOW THEM. You've met people like them. The biggest complaint, however, comes from the film's supposed 'lack' of scary moments. This film reminds me of the classic horror film 'The Texas Chain Saw Massacre,' and though not as gory and as shocking as that film, 'The Blair Witch Project' shows just enough fright in the group's search for a way out of the woods, stalked by people and/or things they may never understand. In the older film, the long interval between opening credits and first gory act of violence is about thirty minutes long; it is even longer here, but the suspense/fright (just as in the older film) begins right from the opening credits: you just don't see it until the film's over.
These are three people out to make a documentary in the woods with handheld camcorders-these are REAL PEOPLE. And GREAT ACTORS. Heather whines a lot and screams and reminds you of the girl you hate so much you fall in love with her. Her screams sound real, her cries are genuine, and she is DEEPLY DEEPLY sorry for bringing the others into the woods in order to film her documentary.
I really dig the beginning. It seems so real to me I may delve into my old home movies for nostalgia.
Heather and Josh pick up Mike, then go to the store for supplies. This opening sequence really packs a punch. These are three Generation Xers out for a camping trip. We all know what happens to them, but we're glued to the screen, intent to know what actually happens. The interviews give us some detail into the Blair Witch legend, but most of the audience is too busy thinking about the actual trek into the woods that they don't listen.
This is wrong. Listening is good. The interviews, which also sound real and not rehearsed in any way, are like movie reviews: the critics tell you what they saw, but mostly they don't want to ruin it for you.unless they hated it. And that's what I'll do. I won't ruin it for you.
I think I know why Blair Witch has generated as much negative as positive responses. It FORCES YOU TO BECOME INVOLVED IN THE MOVIE GOING EXPERIENCE! What a concept. Instead of sitting there like the passive sponges most of us become when going to the movies we are actually expected be become involved. Take a leap of faith/belief or whatever and delve into this movie. Without the overpowering F/X and music score most movies rely on to 'scare' you, if you still have an imagination left what is implied becomes a hundred times scarier than anything offered up by Hollywood in the last 30 years.
The hardest thing in movies is to scare you. Not make you jump out of your seat with 5000 watts of sound blasting at 400 decibels (ever seen the 1999 version of the Haunting? Event Horizon?
- every potentially tense scene is preceeded by dead silence then the Blast). Wake up people!
Blair Witch is the horror movies we have been needing for a long time and I'm glad someone finally had the guts to make it. I saw this film last night, LONG after all the hype and reviews were made about it. I settled in with the right mood for any film: no expectations. If you expect too much, you may be let down (take note for any Kubrick film).
I watched the entire film without interruption and came out with a great feeling. 'The Blair Witch Project' is one darn good movie. Many critics and moviegoers complained about the film for its length, its amateurish photography/editing, and its lack of adequate acting. I feel these things MADE THE MOVIE. First, the film has to be at most ninety minutes long: any more, and it would be too long and boring.
Second, the amateur video take gives the audience the feel that they are actually in the woods, listening to the rippling water of the creek, snapping branches under their boots, and hearing things go bump in the night. I greatly admire the use of two video cameras (one black-and-white, the other color) to denote which character is shooting the film. Lastly, the incessant screaming of whiny Heather, the constant complaining of average-joe Mike, and the Dudley-Do-Rightness of Josh make for great acting. Yes, these are regular people and up-and-coming actors from your local community theater, but YOU KNOW THEM. You've met people like them.
The biggest complaint, however, comes from the film's supposed 'lack' of scary moments. This film reminds me of the classic horror film 'The Texas Chain Saw Massacre,' and though not as gory and as shocking as that film, 'The Blair Witch Project' shows just enough fright in the group's search for a way out of the woods, stalked by people and/or things they may never understand. In the older film, the long interval between opening credits and first gory act of violence is about thirty minutes long; it is even longer here, but the suspense/fright (just as in the older film) begins right from the opening credits: you just don't see it until the film's over. These are three people out to make a documentary in the woods with handheld camcorders-these are REAL PEOPLE. And GREAT ACTORS.
Heather whines a lot and screams and reminds you of the girl you hate so much you fall in love with her. Her screams sound real, her cries are genuine, and she is DEEPLY DEEPLY sorry for bringing the others into the woods in order to film her documentary.
I really dig the beginning. It seems so real to me I may delve into my old home movies for nostalgia.
Heather and Josh pick up Mike, then go to the store for supplies. This opening sequence really packs a punch. These are three Generation Xers out for a camping trip. We all know what happens to them, but we're glued to the screen, intent to know what actually happens. The interviews give us some detail into the Blair Witch legend, but most of the audience is too busy thinking about the actual trek into the woods that they don't listen.
This is wrong. Listening is good. The interviews, which also sound real and not rehearsed in any way, are like movie reviews: the critics tell you what they saw, but mostly they don't want to ruin it for you.unless they hated it. And that's what I'll do. I won't ruin it for you.
Privileged to see a preview of this fantastically terrifying film, I found myself actually feeling the pain and mind-numbing anguish of the characters. At times in the movie, I would find myself trying to peer through the darkness with them, fully realizing that there was absolutely no chance of knowing what was out there.
I think that is the most effective aspect of this, the fear of the unknown. I really can't think of anything more frightening than something that has no identity, and so you don't know how to relate or react, and you are forced to suffer through the unknown. A key component also included in this film was the steady decline of human spirit that you witness first-hand.
You watch as the characters are broken down to small, scared, hunted animals, and you find yourself shaking your head at how pitiful and helpless they have become, yet you don't feel sorry for them, only agonizing hope that they will escape the fear with at least their lives. Wonderfully created film that, at least for me, an outdoor enthusiast who used to enjoy wandering alone through familiar woods, will always haunt me to the core of my soul when I look around and see nothing but endless woods, unknown sounds, and things that are never seen.
This film is not a feature film. For a start, it is not feature length, also, it is not shot on film. More importantly, it does not have what feature films have these days: star actors, special effects, exotic locations, explosions.
Blair Witch Project Movie
Instead, seeing B.W.P. Is seeing something else that a cinema can be: a place where people can share an intimate experience created by a few people on a tight budget.
I would be glad of its success if only for that reason. The first section of the film appears at first to be amateurish and slow. In fact, it is very deft, and very efficient at what it does. It tells the audience everything it needs to know about the characters and situation, and nothing more.
Also, it gets the audience into the habit of viewing the film's format: alternating between black and white (very grainy and poorly focussed) film, and the washed out colours of shaky pixilated video. The film makers managed to set up a rationale for why the film is so cheaply made. Three people hike into the woods for a few days to shoot a documentary, with borrowed equipment, and are in the habit of videoing everything for the hell of it. They cannot carry tripods, steadicams, dollies, large lighting rigs, or the like, so everything we see is lit either by raw daylight, or by a single light fixed to the camera, which illuminates just what is within a few feet of the lens.
The film creates its own excuse to be cheap. This is intelligent. The acting and script are both excellent. The well-cast actors are presumably playing pretty-much themselves, and are convincingly naturalistic, and neither too likeable or too dislikeable. The slow route into hysteria is well documented.
Rather than simply having a character say 'We're lost!' , we see many scenes which show the trio getting more and more hopelessly lost, and more annoyed with each other for this. By the time they are thoroughly lost, the audience shares the despair.
My friend and I, after seeing it, both felt a little sick. I put this down to my having been tense for a hour, he put it down more to motion sickness. The jerky, badly-framed camerawork is hard on the eye and stomach, but I applaud the director for its uncompromising use. Similarly, no compromise is made with the dialogue. Some of it is very quiet and must be listened for, some is technical jargon, which is left realisticly unexplained.
One of the great strengths and weaknesses of the film is the editing. It is good in that it does much to heighten the tension, with many key moments lasting just a little too long for comfort. Each time the characters find something nasty, the viewer is made to want the editor to cut soon to the next scene, and the fact that he doesn't adds to the sense of being trapped, as the characters are. The problem with this, though, is that one is left wondering about the motives of the fictional editor. In truth, of course, the film is edited to create these effects, and to entertain, but the film's rationale is that these are the rushes of a documentary put together posthumously by someone other than the film's original creator.
Why, then, would an editor piecing together such footage, edit for dramatic effect rather than for clarity? Why would he keep cutting back and forth from the video footage to the film footage, when neither shows any more information than the other?
The film is stark. After one simple caption at the start, all that follows is the 'rushes'. I wonder if the film might not have been improved with an introductory section which documented how the rushes were found and edited.
A programme was made for television which did this. Perhaps a portion of this might have been added to the film, making it more complete, and more believable (and proper feature length).
While I applaud the fact that young original film-makers have managed to create a mainstream hit out of a simple idea, well-handled. I dread the possible avalanche of inferior copies which may come. Most horror films these days are created not for the audience, but for the makers. The departments of special effects, make-up, model-making, animation and so forth all try hard to show potential future employers what they can do. The result is that nothing is left for the audience to do, since everything can be seen and heard, and the viewer's imagination can be switched off. Today, it is possible to see pigs fly on the screen, and so film-makers show off and show us a formation of Tamworths, which is something which will look impressive in the trailer.
To show us less is to make our minds fill in the gaps. This way, we create our own terrors, perfectly fitted to ourselves. The ghastly face I see in my head, is the ghastly head which I find scary. The ghastly face I am shown may be one I can cope with quite easily. If I see a believable character screaming in hysterical fear at something I cannot see, my own brain creates demons for my night's dreams, demons far more mighty than anything CGI graphics or a latex mask could portray. This film will stay in your thoughts for some while.
Like most movies, whether or not someone likes TBWP will usually depend on what they're looking for. Many people enjoy horror movies because of the special effects, gore, shocks, and, in some cases, the high production value. Since TBWP came from a small independent film company that cost less than a hundred grand to make, can a moviegoer really expect all that and have a good time?
I honestly don't think so. Myrick and Sanchez had a terrific idea for a film: make a frightening mock documentary that was supposed to look like it was done by some amateur college students. Some people seem to be under the impression that the movie was about the witch, when what it really was about the mental and emotional breakdown of the three film students.
I feel that once viewers could accept the low production values and the improvised script, only then could they deal with Heather, Josh, and Mike. Until they do that, the film would never work for them. I just put myself in their position: I'm lost in the woods, I'm tired, I'm hungry, and I've got the added stress of returning borrowed equipment. The weather is getting colder, it rains just enough to make life miserable, and something is waking me up each and every night. Now, I'm exhausted, grouchy, scared, and I having troubles thinking clearly.
People might have hated Heather because they she was bitchy and annoying, but all three of them had their moments, good and bad. Many people might have also hated the fact that not everything was explained to them, and that they never got to see the Blair Witch. Many other people may have resented Artisan Entertainment's marketing campaign, although they can't deny just how effective it was. All the filmmakers and actors asked was that filmgoers understand the spirit that was intended; without it, they knew the film couldn't work for anybody. As you might already tell, I thoroughly enjoyed this film.
What Haxan Films managed to do with what they had is not only revolutionary, but is also inspirational to independent filmmakers everywhere. I found the backstory interesting, the plotline well thought out, and the characters extremely developed, considering the lack of structure and guidelines within the film. If you do decide to see this film, I think you'll enjoy it if you see it for what it simply is, nothing more; it might even scare the hell out of you!
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url=Description: Found video footage tells the tale of three film students (Heather Donahue, Joshua Leonard, Michael C. Williams) who've traveled to a small town to collect documentary footage about the Blair Witch, a legendary local murderer.
Over the course of several days, the students interview townspeople and gather clues to support the tale's veracity. But the project takes a frightening turn when the students lose their way in the woods and begin hearing horrific noises. youtubeD51QgOHrCj0/youtube Latest Top Searches of peoples. Download The Blair Witch Project Full Movie Torrent HD Quality. Torrent The Blair Witch Project Download Download Free The Blair Witch Project Torrent Download The Blair Witch Project Torrent - Kickass Torrents. The Blair Witch Project Download Torrent - Extratorrent. The Blair Witch Project Downlaod - torrentz.in Download The Blair Witch Project Torrent - bitsnoop.
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